Journal of Texas Music History
Permanent URI for this collectionhttps://hdl.handle.net/10877/66
The Journal of Texas Music History is the first academic journal to focus on all aspects of southwestern music history, first published in 2001 and now with subscribers from around the world. The journal is published by the Texas State University Center for Texas Music History
Official Journal Site: Journal of Texas Music History
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Browsing Journal of Texas Music History by Subject "Austin"
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Item Eddie Stout, Dialtone Records, and the Making of a Blues Scene in Austin(The Center for Texas Music History, 2016-01) Pedro, JosepAustin, Texas, native Eddie Stout's dedication to the preservation and celebration of the blues over the past four decades has earned him tremendous respect and admiration within the local blues community. A performing bass player since 1972, Stout has been active in the global expansion of blues. He also has been a prolific producer of African-American roots music, including blues, gospel, and jazz, with the creation of labels such as Pee Wee Records (1984), Dialtone Records (1999), and Dynaflow Records (2014), Stout has served as an international representative, distributor, and publisher for several companies, such as Justice Records, Independent Artists, Doolittle, New West, Antone's Records, and Malaco Records. Because of his broad knowledge and experience in the field of blues, he is frequently invited to serve as a panelist and label representative at music conventions throughout the world, as well as a producer and director of forty episodes of the popular television show Songwriters across Texas (2012-2013).Item Reviews [2016](The Center for Texas Music History, 2016-01) Oliphant, Dave; Kelly, Richard; Hendricks, Diana Finlay; Ronald, KirstenReviews of "Austin in the Jazz Age" by Richard Zelade, "Weird, Yet Strange: Notes from an Austin Music Artist" by Danny Garrett, "Without Getting Killed or Caught: The Life and Music of Guy Clark" by Tamara Saviano, and "Comin' Right at Ya: How a Jewish Yankee Hippie Went Country, or, the Often Outrageous History of Asleep at the Wheel" by Ray Benson and David Menconi.Item Reviews [2018](The Center for Texas Music History, 2018-01) Riddle, Kelsey; Peoples, Curtis L.Review of "Armadillo World Headquarters: A Memoir," by Eddie Wilson with Jesse Sublett, and "Delbert McClinton: One of the Fortunate Few," by Diana Finlay Hendricks.Item The Texas Music Museum(The Center for Texas Music History, 2004-03) Rosson, ChesterMany Texas music fans who have wished that Texas had its own music museum—as a number of other states do—might be surprised to learn that a museum devoted exclusively to Texas musicians, singers, songwriters, composers, and instrument builders already exists in Austin, just a few blocks east of the state Capitol building. In fact, the Texas Music Museum, a nonprofit organization founded in 1984 by University of Texas professor Clayton Shorkey and a band of devoted volunteers, will be celebrating its twentieth anniversary this year. The Texas Music Museum is housed on the first floor of the Marvin C. Griffin Building at 1109 E. 11th Street in Austin, where it continues to present exhibits on various aspects of Texas music history.