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dc.contributor.authorStimeling, Travisen_US
dc.date.accessioned2009-07-21en_US
dc.date.available2012-02-24T10:04:33Z
dc.date.issued2008-01-01en_US
dc.identifier.urihttps://digital.library.txstate.edu/handle/10877/2664
dc.description.abstractThe progressive country music scene that flourished in Austin during the 1970s was rooted in a musical community that shared a deep appreciation of live musical performance. Although such major music industry centers as New York, Los Angeles, and Nashville focused largely on the manufacturer and distribution of studio recordings, the Austin-based progressive country movement relied extensively on a vast array of live music venues, including such honky-tonks as the Split Rail Inn and the Broken Spoke, smaller folk clubs such as Castle Creek and the Saxon Pub, and large concert halls, including the Armadillo World Headquarters and the Austin Opry House.
dc.formatText
dc.format.extent7 pages
dc.format.medium1 file (.pdf)
dc.language.isoen_USen_US
dc.sourceJournal of Texas Music History, 2008, Vol. 8, Issue 1, Article 4.
dc.subjectTexasen_US
dc.subjectMusicen_US
dc.subjectHistoryen_US
dc.subjectCountry musicen_US
dc.subjectConjuntoen_US
dc.subjectTejanoen_US
dc.subjectBluesen_US
dc.subjectR & Ben_US
dc.subjectCajunen_US
dc.subjectZydecoen_US
dc.subjectJazzen_US
dc.subjectGospelen_US
dc.title!Viva Terlingua!: Jerry Jeff Walker, Live Recordings, and the Authenticity of Progressive Country Musicen_US
txstate.documenttypeArticleen_US


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