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dc.contributor.authorHarney, Lucyen_US
dc.date.accessioned2009-08-05T10:06:37Z
dc.date.available2012-02-24T10:07:06Z
dc.date.issued2007-01-01en_US
dc.identifier.urihttps://digital.library.txstate.edu/handle/10877/2907
dc.descriptionResearch Enhancement Program Final Reports.
dc.description.abstractThis project addresses gaps in recent scholarship on zarzuela (Spanish musical theater).With the assistance of the REP grant, I proposed 1) to complete and submit for publication an article exploring the ideological relationship between zarzuela and the European tradition of pastoral writing, 2) to research, write, and submit an article addressing the relationship between zarzuela and English popular music theater—particularly ballad opera and operetta, 3) to research, write, and submit an article exploring the relationship between zarzuela and French popular music theater— especially vaudeville and opera buffe, and 4) to finish gathering research for an article that will address the transposition of zarzuela from Spain to Cuba in the twentieth century, focusing on the political subtexts of three late nineteenth-century Spanish zarzuelas (La Tempranica, La Verbena de la Paloma, and Agua, Azucarillos y Aguardiente) and the most influential! Cuban zarzuela, Gonzalo Roig’s Cecilia Valdés.en_US
dc.formatText
dc.format.extent1 page
dc.format.medium1 file (.pdf)
dc.language.isoen_US
dc.subjectEnglishen_US
dc.subjectFrenchen_US
dc.subjectNineteenth-Centuryen_US
dc.subjectSpanishen_US
dc.subjectMusicen_US
dc.subjectTheateren_US
dc.subjectZarzuelaen_US
dc.subject.classificationMusicen_US
dc.subject.classificationTheatre Historyen_US
dc.titleEnglish and French Influence on and Reception of Late Nineteenth-Century Spanish Music Theateren_US
txstate.documenttypeResearch Report


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