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dc.contributor.authorHarney, Lucy ( )en_US
dc.date.accessioned2006-08-30T10:06:37Z
dc.date.available2012-02-24T10:07:34Z
dc.date.issued2005-08-01en_US
dc.identifier.urihttps://digital.library.txstate.edu/handle/10877/2953
dc.descriptionResearch Enhancement Program Final Reports.
dc.description.abstractBased on my research at, primarily, the Biblioteca Nacional in Madrid from July 10 to July 31 of 2005, I was able 1) to finish and submit an article exploring the ideological relationship between zarzuela and the European tradition of pastoral writing, 2) to finish and submit an article that focuses specifically on the musical texts of various zarzuelas in an effort to characterize the signifying function of the music as a separable text, 3) to write and submit an article intended to offer a critical analysis of zarzuela which integrates the cultural (aesthetic, social, and political) forces to be inferred from the works themselves, as well as from the wide range of editorial commentary drawn together over the past century, and 4) to gather research for a fourth article that discusses the transposition of zarzuela from Spain to Cuba in the twentieth century, focusing on the political subtexts of three late nineteenth-century Spanish zarzuelas and the most influential Cuban zarzuela, Gonzalo Roig’s Cecilia Valdés.en_US
dc.formatText
dc.format.extent1 page
dc.format.medium1 file (.pdf)
dc.language.isoen
dc.subjectMusicen_US
dc.subjectTheateren_US
dc.subjectPopular cultureen_US
dc.subjectNineteenth-centuryen_US
dc.subjectSpainen_US
dc.subjectZarzuelaen_US
dc.subjectEuropean traditionen_US
dc.titleThe Role of Music Theater in Deciphering the Popular Culture of Late Nineteenth-Century Spainen_US
txstate.documenttypeResearch Report


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