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dc.contributor.advisorGrogan, Melissa
dc.contributor.authorGregory, Allison M. ( )en_US
dc.date.accessioned2010-07-19T17:44:59Z
dc.date.available2012-02-24T10:10:53Z
dc.date.issued2010-05en_US
dc.identifier.citationGregory, A. M. (2010). British dialect for the American stage (Unpublished thesis). Texas State University-San Marcos, San Marcos, Texas.
dc.identifier.urihttps://digital.library.txstate.edu/handle/10877/3265
dc.descriptionPresented to the Honors Committee of Texas State University-San Marcos In Partial Fulfillment of the Requirements For Graduation in the University Honors Program, May 2010.en_US
dc.description.abstractAnalysis of the differences between the three categories of British dialect for the stage: Received Pronunciation, Cockney, and Estuary. This involves the exploration of the oral posture, resonance point, sound changes, rhythm and melody, and grammatical and lexical changes of each. This also includes the application of the dialect to a monologue. Accompanying sound clip is of a monologue selection from The Cocktail Party by T.S. Eliot performed by Allison Gregory, beginning with Received Pronunciation, transitioning to Cockney, and then to Estuary.en_US
dc.formatText
dc.formatAudio
dc.format.extent19 pages
dc.format.extent01:21
dc.format.medium1 file (.pdf)
dc.format.medium1 file (.mp3)
dc.language.isoen
dc.subjectBritishen_US
dc.subjectDialecten_US
dc.subjectCockneyen_US
dc.subjectEstuaryen_US
dc.subjectReceived Pronunciationen_US
dc.subject.classificationEnglish Language and Literatureen_US
dc.titleBritish Dialect for the American Stageen_US
txstate.documenttypeThesis
thesis.degree.departmentHonors College
thesis.degree.disciplineTheatre and Dance
thesis.degree.grantorTexas State University-San Marcos
txstate.departmentHonors College


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