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dc.contributor.advisorGonzales, Cynthia I.
dc.contributor.authorHatch, Amy M.
dc.date.accessioned2013-11-27T18:17:05Z
dc.date.available2013-11-27T18:17:05Z
dc.date.issued2013-11-20
dc.date.submittedDecember 2013
dc.identifier.urihttps://digital.library.txstate.edu/handle/10877/4894
dc.description.abstractNo abstract prepared.
dc.formatText
dc.format.extent57 pages
dc.format.medium1 file (.pdf)
dc.language.isoen_US
dc.subjectStravinsky
dc.subjectTransformation-networks
dc.subjectFireworks
dc.subjectFeu d'Artifice
dc.subjectDouble Canon
dc.subjectSerialism
dc.subjectNationalism
dc.subject.lcshStravinsky, Igor--1882-1971--Double canon--String quartet--Criticism and interpretationen_US
dc.subject.lcshStravinsky, Igor--1882-1971--Feu d'artifice--Criticism and interpretationen_US
dc.subject.lcshMusicologyen_US
dc.subject.lcshMusic theoryen_US
dc.titleA Transformational-Network Approach to Stravinsky's Double Canon 'Raoul Dufy in Memoriam' (1959) and Feu d'Artifice (Fireworks), op. 4 (1908)
txstate.documenttypeThesis
dc.contributor.committeeMemberLipton, Kay
dc.contributor.committeeMemberEaton, Rebecca
thesis.degree.departmentMusic
thesis.degree.disciplineMusic
thesis.degree.grantorTexas State University
thesis.degree.levelMasters
thesis.degree.nameMaster of Music
txstate.departmentMusic


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