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dc.contributor.advisorMcClancy, Kathleen
dc.contributor.authorMoore, Stephanie Lauren
dc.date.accessioned2014-06-05T17:02:02Z
dc.date.available2014-06-05T17:02:02Z
dc.date.issued2014-05
dc.identifier.urihttps://digital.library.txstate.edu/handle/10877/5062
dc.descriptionPresented to the Honors Committee of Texas State University In Partial Fulfillment of the Requirements For Graduation in the Honors College, Approved May 2014.en_US
dc.description.abstractThe Bosnian War was a conflict that occurred in a little known European country after the fall of the Iron Curtain and break-up of Yugoslavia in the early 1990s. The purpose of this study is to compare and contrast the films from the Hollywood and Eastern European arenas. This study will specifically examine the Hollywood blockbuster Behind Enemy Lines and the Serbian film, Pretty Village, Pretty Flame in contrast with one another. Each of these films creates a discourse which influences many other films about the war and how films about the conflict are presented.en_US
dc.formatText
dc.format.extent22 pages
dc.format.medium1 file (.pdf)
dc.language.isoen_US
dc.subjectFilm criticismen_US
dc.subjectStereotypesen_US
dc.subjectBosnian Waren_US
dc.subjectFilm theoryen_US
dc.subjectFilm historyen_US
dc.titleEastern European Cinema vs. Hollywood: Bosnia War Filmsen_US
txstate.documenttypeThesis
dc.contributor.committeeMemberGolate, Peter
thesis.degree.departmentHonors College
thesis.degree.disciplineEnglish
thesis.degree.grantorTexas State University


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