Masters of Traditional Arts: An Organic Approach to Diversity

dc.contributor.authorBrakefield, Jay F.
dc.date.accessioned2007-03-02T10:04:55Z
dc.date.available2012-02-24T10:04:41Z
dc.date.issued2003-09
dc.description.abstract"Diversity" has become a popular word across the nation, as Americans continue to grapple with race and other potentially divisive social issues. Yet often, as we pay lip service to inclusiveness, we enforce a numbing conformity reminiscent of the 1950s. As Diane Ravitch says in her book, The Language Police, in the name of sensitivity we are sanitizing the language, producing textbooks, and standardized tests so bland and inaccurate that they serve only to avoid controversy. The theory behind this is that, by changing language, we can shape thought; if children don’t hear demeaning language, they’re less likely to use it. Experts disagree on the validity of this idea, but, as Ravitch points out, such an approach is doomed to failure when many, if not most, young people are also exposed to movies and song lyrics that are as explicit as the school materials are circumspect. One yearns at times for a middle ground between political correctness and gangsta rap.
dc.formatText
dc.format.extent6 pages
dc.format.medium1 file (.pdf)
dc.identifier.citationBrakefield, J. F. (2003). Masters of traditional arts: An organic approach to diversity. <i>Journal of Texas Music History, 3</i>(2), pp. 1-6.
dc.identifier.issn1535-7104
dc.identifier.urihttps://hdl.handle.net/10877/2675
dc.language.isoenen_US
dc.publisherThe Center for Texas Music Historyen_US
dc.sourceJournal of Texas Music History, 2003, Vol. 3, Issue 2, Article 5.
dc.subjectTraditional Arts
dc.subjectDiversity
dc.subjectNational Heritage Fellowship
dc.subjectTexas
dc.titleMasters of Traditional Arts: An Organic Approach to Diversityen_US
dc.typeArticle

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