Tango Mulatto: The Untold Afro-Argentine History of Tango, 1800s-1900s

dc.contributor.advisorMendoza, Carlos Abreu
dc.contributor.authorParkhurst, Laurel
dc.date.accessioned2019-06-06T16:25:32Z
dc.date.available2019-06-06T16:25:32Z
dc.date.issued2019-05
dc.description.abstractDuring the time of nation-building Argentina constructed a Europeanized identity that rejected nonwhite and particularly African cultures. Tango is likely a synthesis of candombe, a dance developed from the African nations in the River Plate region and from milonga which stemmed from the payada traditions of the gauchos. However, because of the insistence on erasing African elements in Argentine culture, the Afro-Argentine contribution to tango is often denied or unnoticed. To research this topic, I analyzed secondary sources such as texts from political leaders, scholars, and writers, as well as consulted primary resources including Afro-Argentine newspapers from the late 1800’s. I found convincing evidence to suggest the rhythm and certain chorographical elements of tango were borrowed from candombe. The recognition of a hybrid black and white tango would force Argentina to rethink its white nation identity and open itself to the possibility of confronting its racial past.
dc.description.departmentHonors College
dc.formatText
dc.format.extent58 pages
dc.format.medium1 file (.pdf)
dc.identifier.citationParkhurst, L. (2019). Tango mulatto: The untold Afro-Argentine history of tango, 1800s-1900s (Unpublished thesis). Texas State University, San Marcos, Texas.
dc.identifier.urihttps://hdl.handle.net/10877/8250
dc.language.isoen
dc.subjectLatin American
dc.subjecthistory
dc.subjectrace
dc.subjecttango
dc.subjectArgentina
dc.subjectHonors College
dc.titleTango Mulatto: The Untold Afro-Argentine History of Tango, 1800s-1900s
thesis.degree.departmentHonors College
thesis.degree.disciplineModern Languages
thesis.degree.grantorTexas State University
txstate.documenttypeHonors Thesis

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