The Imaginative Imperative: Narrative and Social Consciousness in Toni Morrison's Jazz, Ralph Ellison's Invisible Man, and the Television Show The Wire

dc.contributor.advisorSmith, Victoria
dc.contributor.authorCoffey, Wayne S.
dc.contributor.committeeMemberTally, Robert T.en_US
dc.contributor.committeeMemberBell-Metereau, Rebeccaen_US
dc.date.accessioned2011-09-14T19:15:57Z
dc.date.available2011-09-14T19:15:57Z
dc.date.issued2011-08en_US
dc.description.abstractNo abstract prepared.
dc.description.departmentEnglish
dc.formatText
dc.format.extent106 pages
dc.format.medium1 file (.pdf)
dc.identifier.citationCoffey, W. S. (2011). <i>The Imaginative Imperative: Narrative and Social Consciousness in Toni Morrison's Jazz, Ralph Ellison's Invisible Man, and the Television Show The Wire</i> (Unpublished thesis). Texas State University-San Marcos, San Marcos, Texas.
dc.identifier.urihttps://hdl.handle.net/10877/2545
dc.language.isoen
dc.subjectAfrican-American literatureen_US
dc.subjectTelevision studiesen_US
dc.subjectCritical studiesen_US
dc.titleThe Imaginative Imperative: Narrative and Social Consciousness in Toni Morrison's Jazz, Ralph Ellison's Invisible Man, and the Television Show The Wireen_US
dc.typeThesis
thesis.degree.departmentEnglish
thesis.degree.disciplineLiteratureen_US
thesis.degree.grantorTexas State University-San Marcosen_US
thesis.degree.levelMasters
thesis.degree.nameMaster of Arts
txstate.departmentEnglish

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