The 'Baptist Beat' in Modern Jazz: Texan Gene Ramey in Kansas City and New York

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dc.contributor.authorAddis, Cameron
dc.date.accessioned2007-03-05T10:04:55Z
dc.date.available2012-02-24T10:05:08Z
dc.date.issued2004-01
dc.description.abstractGene Ramey never expected to earn a living playing the string bass, but he landed in the right places at the right times. Shortly after moving from Austin to Kansas City at age nineteen, he switched from tuba to bass and found work in one of the premier jazz cities of the 1930s. In 1942, he went to New York with his dance band, the Jay McShann Orchestra, just as swing crested in Harlem and modern jazz emerged on 52nd Street.
dc.formatText
dc.format.extent16 pages
dc.format.medium1 file (.pdf)
dc.identifier.issn1535-7104
dc.identifier.urihttps://hdl.handle.net/10877/2724
dc.language.isoenen_US
dc.publisherThe Center for Texas Music Historyen_US
dc.sourceJournal of Texas Music History, 2004, Vol. 4, Issue 2, Article 1.
dc.subjectBaptist Beat
dc.subjectJazz
dc.subjectRamey, Gene
dc.subjectKansas City
dc.subjectNew York
dc.subjectTexas
dc.subjectMusic
dc.subjectHistory
dc.titleThe 'Baptist Beat' in Modern Jazz: Texan Gene Ramey in Kansas City and New Yorken_US
dc.typeArticle

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