From the Memory Books of Josely Carvalho

dc.contributor.authorDuganne, Erina
dc.date.accessioned2021-07-12T16:50:44Z
dc.date.available2021-07-12T16:50:44Z
dc.date.issued2019-08
dc.description.abstractIn this interview, Brazilian-born multi-media artist Josely Carvalho (b. 1942) reflects back on her art making practice in the 1980s. Among the subjects that she addresses are her bi-nationalism, her use of the silkscreen process, and her association with the 1984 activist campaign Artists Call Against U.S. Intervention in Central America. She also speaks about working as a Latin American artist in New York City during this period, as well as her involvement with galleries and arts organizations such as St. Mark’s Church-in-the-Bowery, Central Hall Cooperative Gallery, and Franklin Furnace.
dc.description.departmentArt and Design
dc.formatText
dc.format.extent22 pages
dc.format.medium1 file (.pdf)
dc.identifier.citationDuganne, E. (2019). From the memory books of Josely Carvalho. Arts, 8(3): 109.
dc.identifier.doihttps://doi.org/10.3390/arts8030109
dc.identifier.issn2076-0752
dc.identifier.urihttps://hdl.handle.net/10877/13835
dc.language.isoen
dc.publisherMultidisciplinary Digital Publishing Institute
dc.rights.licenseCreative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License.
dc.sourceArts, 2019, Vol. 8, No. 3, Article 109.
dc.subjectCarvalho, Josely
dc.subjectart
dc.subjectBrazil
dc.subjectactivism
dc.subjectsilkscreen
dc.subjectmail art
dc.subjectartists call
dc.subjectSt. Mark's Church
dc.subjectCentral Hall
dc.subjectFranklin Furnace
dc.subjectArt and Design
dc.titleFrom the Memory Books of Josely Carvalho
dc.typeArticle

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