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dc.contributor.authorDuganne, Erina ( )
dc.date.accessioned2021-07-12T16:50:44Z
dc.date.available2021-07-12T16:50:44Z
dc.date.issued2019-08
dc.identifier.citationDuganne, E. (2019). From the memory books of Josely Carvalho. Arts, 8(3): 109.en_US
dc.identifier.issn2076-0752
dc.identifier.urihttps://digital.library.txstate.edu/handle/10877/13835
dc.description.abstractIn this interview, Brazilian-born multi-media artist Josely Carvalho (b. 1942) reflects back on her art making practice in the 1980s. Among the subjects that she addresses are her bi-nationalism, her use of the silkscreen process, and her association with the 1984 activist campaign Artists Call Against U.S. Intervention in Central America. She also speaks about working as a Latin American artist in New York City during this period, as well as her involvement with galleries and arts organizations such as St. Mark’s Church-in-the-Bowery, Central Hall Cooperative Gallery, and Franklin Furnace.en_US
dc.formatText
dc.format.extent22 pages
dc.format.medium1 file (.pdf)
dc.language.isoenen_US
dc.publisherMultidisciplinary Digital Publishing Instituteen_US
dc.sourceArts, 2019, Vol. 8, No. 3, Article 109.
dc.subjectCarvalho, Joselyen_US
dc.subjectArten_US
dc.subjectBrazilen_US
dc.subjectActivismen_US
dc.subjectSilkscreenen_US
dc.subjectMail arten_US
dc.subjectArtists Callen_US
dc.subjectSt. Mark's Churchen_US
dc.subjectCentral Hallen_US
dc.subjectFranklin Furnaceen_US
dc.titleFrom the Memory Books of Josely Carvalhoen_US
dc.typepublishedVersion
txstate.documenttypeArticle
dc.identifier.doihttps://doi.org/10.3390/arts8030109
dc.rights.licenseCreative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.
dc.description.departmentArt and Design


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